Alexandros Deligiorgis

A Piece On Paper

by Alexandros Deligiorgis on February 7, 2014

  The history of paper is well known to anyone dealing with manuscripts, books and other similar material. Paper was the preferred option in Europe due to its cost, which was lower than that of vellum, adopted earlier as the primary writing material. It quickly became known in Western Europe, having travelled from China through the […]

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Like many people do, I get to visit the local flea-market in Athens every weekend. The first thing I turn my attention to are the piles of books on large cloth sheets lying on the ground. Of course, some book sellers use benches, tables and so forth, but most of them prefer to use something […]

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For quite a while now, I have wanted to put down to paper some thoughts about the situation here in Greece regarding the book binding profession and the broader bibliophile interests in general. I could not say that people in Europe have lost their interest in books as a direct result of the financial crisis. […]

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It is not unusual for many collectors and researchers to come across old books retaining their original paper binding. Centuries ago, the books were sold by the printer or the publisher. The client, who had requested a title, purchased it directly from the workshop; the book was in booklets tied up together with a string. […]

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Rare Books Digest hosts opinions and views of international book trade professionals such as the one this week from contributor, book restorer, Alexandros Deligiorgis of Bibliodesia in Athens, Greece. (http://www.facebook.com/bibliodesia) When we have to deal with old books, whose covers are missing, and they are seriously damaged or not bound, and need to be restored, what type of binding […]

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Rare Books Digest occasionally hosts opinions and views of international book trade professionals such as this week’s contributor, book restorer, Alexandros Deligiorgis Bibliodesia in Greece (http://www.facebook.com/bibliodesia).     To my mind, book restoring should not be considered an ordinary job, just a means of livelihood and nothing more than that. It serves our cultural heritage. […]

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